Interview: Ben Ely for Rave Magazine

Lovely guy, great concept and style, lovely venue. This should be a quality exhibit, me thinks. 

Regurgitator’s Ben Ely tells Anna Angel making art gives his ears a break, but just might drive him bonkers.

Most of us start the day with coffee or a shower to perk us up before work. Musician and artist Ben Ely finds himself in the freezing art studio out the back of his Melbourne home before he’s even fully lucid. Ely, best known for his musical projects like Pangaea and Brisbane-born alt-rock mainstay Regurgitator, says that’s when he does his best work. It’s not hard to imagine his paintings as inspired by a dream state, given the bizarre touches he lends even to his bands’ cover art. For his latest exhibition at Fortitude Valley’s Lust for Life, Ely says he’s been painting a life-long obsession: games – both of the computer and board variety.

“The first time I ever saw a Space Invaders machine was in a caravan park in Yamba, and it blew me away that you could move the joystick and the little alien and spaceship would move,” he says.

While there's an identifiable sense of ‘80s nostalgia in the pick of video games inspiring Ely’s new collection (he likes the simplicity of their design and soundtracks) his taste in board games ranges from wacky 18^th century creations to strategy classic Risk. That being said, Ely's inspiration to create his own playable art has spurred by more than just Pacman and dice.

 “I had a break up last year, and ‘Game Over!’ is kind of the idea of that as well, how people play games in love and life,” he says.

The only parallel Ely draws between his art and music is a bent toward nostalgia in both, but he says if his paintings were songs they’d be pretty catchy.

 “My art’s pretty low brow; it’s quick and immediate and that’s how I like it,” he says. “Kind of like a pop song you know; short and cheap.”

Interview: Cirque Du Soleil's Ovo for Rave Magazine

Roll up, roll up! Cirque are coming back to town. For Rave Magazine.

Ovo, the newest Cirque Du Soleil spectacular to fly into Brisbane, is a light-hearted love story swarming with energy. Artistic director Marjon Van Grunsven tells Anna Angel it’s a bug’s life for the cast and crew.

The sun rises, and an ecosystem of insects begins to stir. Into their midst enters a stranger carrying a large and mysterious egg. So begins this unique production from Montreal’s celebrated Cirque Du Soleil. Ovo might be the 25^th production from these masters of contemporary circus, but Brazilian dancer and choreographer Deborah Colker is their first female creator and director. Her production, which opened in 2009, is one of only a few Cirque show to maintain an overarching narrative.

 “It’s very sweet and simple to follow for young children, but also for older people and middle-aged people, and it’s just so pleasant and happy,” Ovo’s artistic director Marjon Van Grunsven says.

The family-friendly story, which sees a ladybug fall in love with a fly, is secondary to the main inspiration for the piece: movement. From the pulsating rhythmic music, to the flexible, adjustable costumes, every aspect of the show celebrates the distinctive and fascinating motion of the insect world.

Ovo has all the breath taking acts you might expect, but each adopts a creepy-crawly persona that befits their style of movement. Foot jugglers become hard-working ants, a team of scarabs perform a Russian swing act, an aerial duo transform into graceful butterflies, crickets leap and bound off an eight-metre vertical wall, and a spider dangles dangerously from a slackwire web.

Under Van Grunsven’s guidance, the performers shed their human mannerisms entirely.

“The way [Deborah Colker] works is very much the way I work as well, which is to inspire each and every individual on that stage to dive into the role of their particular insect,” she says. “Let’s take a cricket; we wanted them to study the movement of the cricket by watching films and photos, and going out in nature and watching them for real.”

Article: Anchored in Tradition for Vintage Affair

I wrote a piece on the resurgence of traditional American style tattooing in Australia for the second issue of Vintage Affair magazine last year, and it has now been released!

Step right up and see the incredible tattooed lady! Held captive and tattooed every day for a year, she lives to tell her amazing tale!

Nineteenth century crowds flocked to circus ‘freak shows’ to marvel at the tattooed performers, who often invented fantastical tales to accompany their head-to-toe ink. By the turn of the twentieth century, the ancient practice had already become – in Western cultures and especially across the USA – a rite of passage for servicemen, sailors, jailbirds and circus folk. The style and iconography developed by artists of the era formed the backbone of the emergent tattoo culture up until the 1970s.

Some blame Janis Joplin for inspiring a rebellious generation to go under the gun and seek out designs that spoke to them, not their grandfathers. Forty years on, Kat Von D and her merry crew of reality spin-offs are credited with inciting a new wave of tattoo aficionados. This time around, our society’s infatuation with bygone eras and simpler times has ensured the old guard of tattooing got its own back. 

Traditional American designs were a staple of the Australian tattoo culture when pioneer artists like Melbourne’s John ‘Johnny Dollar’ Entwistle opened up shop, before eventually giving way to Japanese, tribal and contemporary styles. Nowadays, traditional and neo-traditional designs are so highly sought after many artists consider it a fad.  The designs are characterised by thick lines, bold colours and the classic iconography that once graced the walls of tattoo parlours everywhere. While there is a large interest in vintage flash today, these images held a different significance for the original wearers. Sailors earned a bluebird on the chest after 5,000 miles at sea, with the ever-popular mirrored bluebirds reserved for those who had doubled that. A pin-up girl design could keep you company when deployed at war, a flag or memorial would remind you of home.

Interview: Daniel Weetman for Rave Magazine

Ahh, The Black Seeds. So enjoyable - and such nice lads. Read online here.

DANIEL WEETMAN of THE BLACK SEEDS tells ANNA ANGEL that listening to their records doesn’t do them justice.

 New Zealand reggae mainstays The Black Seeds know where their strengths lie.

Even before dropping their fifth studio album Dust And Dirt in April, they’d packed up and shipped out on the mammoth world tour that will soon bring them to Brisbane. If over 140 shows in four months followed by a packed summer festival season seems like a lot, it is. But there’s little chance the boys will be burnt out by the time they touch down on our shores, according to vocalist and percussionist Daniel Weetman.

 “As long as you’re not overindulging too much in things that can make you a little more tired than usual,” Weetman says with a small laugh, “I think you can handle it.”

They could probably get away with a few benders, but the eight-piece know the value of their reputation for consistently high-energy and immersive sets.

“There’s a lot of people still in New Zealand that haven’t heard The Black Seeds, and even people that work for radio stations and media, but I can tell you that if these people came to a show they’d be more impressed by the band, because live, it’s something else,” Weetman says. “The album isn’t the full picture, and we know that. I don’t think we can just go out there and play the sounds; we’re a band that really wants to get people dancing.”

Interview: Ashleigh Auckland for Mood of Monk

Recently I chatted to Brisbane songstress Ashleigh Auckland for Mood of Monk. Read online here or below.

The Wanderlust of Ashleigh Auckland

Wanderlust tugs at the restless mind, dragging us into the unknown. I feel the pull, too, so I relate when Brisbane songstress Ashleigh Auckland tells me she’s constantly on the move. Instead of the postcards and Facebook albums titled ‘Adventures’ most of us send back, Auckland internalises the world around her and weaves it into unaffected indie-pop.

The soon-to-be released Vagabond evolved with and apart from its creator, taking on a life and direction of its own, as creative works are sometimes want to do. Auckland says Vagabond isn’t the record she originally set out to produce, but in its fluid state, it became exactly what she wanted to release for her debut. The record is still raw and acoustic in nature, but it has taken on an unexpectedly darker tone. The title track is one hauntingly emotive example.

Run, Rabbit Issue 1

This is what we made.
There's been a really positive response so far, and I'm so impressed with the contributions that came my way. What could be better than working with creative, inspiring people on an exciting and rewarding project?
Read all about it at www.runrabbitmagazine.com.
If you think you, or someone you know, might be interested in contributing to the next issue, here's what we're looking for:

News: various for QUT News on 4EB

Here's a link to various news packages I did for QUT News on 4EB 98.1 FM over the last week.

Unfortunately they're missing their newsreader intros, but the general gist remains.

http://soundcloud.com/annaeangel/sets/4eb-radio-packages

Run, Rabbit

I've been a little quiet on the freelancing front and this is why: I've been working on a little magazine called Run, Rabbit that will be launching online in December. I'm getting so excited at the quality and range of pitches coming through from talented folk not just from Brisbane, but from around the country and the world. It will be quite a bit of work to get going, but it never feels like it when your heart is behind a project.

Run, Rabbit will cross culture with compassion, craft and creativity with community. I haven't been able to find anything quite like what I want to achieve: something that speaks to my playful side, but also makes me think, engaging me in issues larger than myself without compromising on intelligence or patronising me. Something that doesn't then try to sell me something or tell me how to do my hair this month. So, I decided to make it myself. No products, no fashion, no beauty, no god damn celebrities, no hipster-snobbery or intellectual elitism. Just ordinary people with extraordinary ideas or talent, thought-provoking pieces sharing space with the silly and the mundane. Writers who share their beliefs, thoughts and experiences without trying so damn hard to seem irreverent. This is what I want to read, and I don't think I'm the only one.

To follow Run, Rabbit's progress, visit www.runrabbitmagazine.tumblr.com or find us on Facebook or Twitter.

Feature: 'Parks to put the roses in your cheeks' for The Courier Mail

16 September 2011

Vital escapes in busy cities, our world-class green spaces give us plenty of fresh reasons to play and relax, writes Anna Angel.

A BREATH of fresh air does a world of good, so get a few lungsful tomorrow, on World Parks Day.

Whether you fancy a cheap and adventurous camping weekend in a national park, a romantic picnic on the foredunes, or a family barbecue in a city park, the choice across Queensland is limitless.

David Clarke, CEO of Australia and New Zealand's leading parks organisation, Parks Forum, says healthy parks lead to healthy communities.

``Not only do they contribute to physical health, but also to mental health: exposure to the natural world is therapeutic,'' he says.

Queensland University of Technology community space expert Dr Gillian Lawson says councils recognise the importance of harnessing our natural blessings. ``We've got a strong tradition of sporting groups using parks, but not of a diverse range of physical activities that are much more widely accessible than a cricket match,'' Dr Lawson says.

But she praised Brisbane and Gold Coast councils for providing locals with fresh reasons pull out the picnic hampers.

One example is Brisbane City Council's LIVE arts program, which will see parks across the city play host to a mix of free music events throughout September.

Another is the city's Active Parks series with free and low-cost activities in more than 50 of the city's parks. The program varies throughout the week and comes alive on weekends.

Feature: 'Always room for write stuff' for The Courier Mail

Always room for write stuff
Anna Angel

Weekend writers' groups and workshops are ideal for being exposed to new ideas and networks, writes Anna Angel

ARE you a closet scribbler or a weekend pen-wielder? They say writing is a solitary profession, but don't quit your day job and retreat to the mountains just yet.

Whether or not you've put pen to paper in years or fancy yourself the next Agatha Christie, Nick Earls or J. K. Rowling, there's a workshop or writers' support group for you.

If there isn't, then start one yourself, says Nancy Cox-Milliner, who formed Writers of Seville more than 10 years ago.

``There was a real need for groups running on the weekend,'' she says. ``People who work during the week don't want to meet at night because that's their writing time.''

Now several writers' groups meet across Queensland at weekends. Most are open to all writers, while some cater to those who dabble in genres such as crime, romance or poetry.

Brisbane fantasy writer Marianne de Pierres co-formed Vision Writers more than 15 years ago. Open to writers of fantasy, sci-fi and speculative fiction, de Pierres says the group's ranks constantly replenish.

``People find it so exhilarating to know there are other people out there interested in the same thing they are,'' she says.

For Sarah Gory of Queensland Writers' Centre, a group's main benefit is fostering a sense of community and support.

Interview: Dane Beesley for Tom Magazine

Read online here.

Splitting The Seconds.

Dane Beesley, the fly on the wall of Brisbane’s music scene, takes a break from preparing for the launch of his first photographic book - a scrapbook of the last decade in music - to chat to Anna Angel. It’s shaping up to be quite a party, with some of the rockers who feature in Beesley’s work heading along to help him celebrate and drink the booze. And why wouldn’t they? ‘Splitting the Seconds: a Photographer’s Journal’ catalogues not just Beesley’s own work, but the evolution of Brisbane’s culture as captured through his lens.

"It’s always been my dream to have a book, even when I was in college," Beesley says.

"I started in the film days keeping track of the exposures, writing notes to go with the photos, and just kept it going."

Scribbled notes and micro interviews on bar coasters compliment a retrospective of Beesley’s shots from the past decade, including the likes of Grinderman, The Lemonheads, Beyonce and Metallica.

"It’s pretty personal, but it’s also a really good time for Brisbane - there’s a lot of bands that I’ve worked with like The Grates, Powderfinger, and more recently Hungry Kids of Hungary, that it’s been great watching grow into international acts."

Having shot for street press and magazines like Rolling Stone, Beesley has become a part of the landscape, and now counts a handful of the artists he has worked with as close friends.

"I’m lucky to have made some really great friends but it’s hard having to charge for my jobs when it’s a friend’s band," he says. "It usually just ends up that they’ll buy me a carton of beer."

Feature: 'Go for it!' for The Courier-Mail

Published June 10.

Doing improvisation makes you get up, have fun and be in the moment, radio journalist Natalie Bochenski, 30, of Spring Hill, tells Anna Angel.

I DID ballet and dance as a young girl. When I was a teenager that progressed into theatre and I've been involved with impro since the late '90s.

Acting and theatre is my hobby. I'm a journalist by trade and a lot of the time I do straight politics.

You'd be surprised at how much cross-over there is. I won't be at Parliament and bust out some improvised sketch, but I can be at impro and throw in a political joke.

While I still do a lot of scripted theatre, impro is a wonderful outlet. You're tapping into the imagination we all had as kids, but we're told as adults we're not allowed to have any more because we have to be sensible.

Feature: 'Roll up in your soles' for The Courier Mail

Written for The Courier-Mail's Friday liftout, CM2. Also published online.

Barefoot bowls is a perfect way to have a good time with your mates, so kick off your shoes and have a go at this game of concentration and technique, writes Anna Angel

IF THERE'S a better way to spend a Sunday afternoon than with a few drinks in the sun, and some friendly competition between mates, I'd like to hear about it.

Barefoot bowls, lawn bowls' younger and less uptight cousin, is winning over Queenslanders young and old.

In a successful bid to breathe new life into the sport, bowls clubs across the state have kicked off their shoes - literally - and shaken off a stigma of the game known as ``old man's marbles''.

Brisbane clubs have been bowled over by how popular their combination of cheap food, drinks and entertainment is with those in their teens through to late 40s.

Inteview: The Vines for Tom Magazine

For TOM Magazine. Published June 1.

Aussie rockers The Vines return with their long-awaited fifth record ‘Future Primitive’. Frontman Craig Nicholls and bassist Brad Heald sat down with Anna Angel and dished their Splendour in the Grass must-sees and tips for living the rock ‘n’ roll lifestyle.

Future Primitive is the band’s first release since 2008, but delays are due more to a change of record company than a change of direction. "I wanted to get it out end of last year, but we were still getting it all wrapped up," Nicholls says. "It’s all right to wait that extra bit of time, to make sure everything’s right for when it does come out."

Fans can expect a classic Vines vibe from their latest offering, somewhere between psychedelic ‘60s rock and ‘90s garage. "I’m not for believing that every album has to be completely different," Nicholls says, spinning his cigarettes on the table. "It’s just kind of rock music, with a bit of a different flavour."

Feature: 'Go for it!' for The Courier-Mail

27 May 2011

The Courier-Mail

46

Taking up roller derby and adopting the fishnet-clad alter ego of Dan Sin Queen turned 39-year-old Herston-based web content producer 's life around, she tells Anna Angel

I WENT to my first game with my job, to write about it. I thought it was bizarre, like wrestling.

The only idea I had of it was from the '70s. I came home thinking, ``It's the best thing in the world, I want to do that!''

I started talking to one of the girls from Northern Brisbane Rollers on Twitter and she suggested I try out.

I was full of excuses. I said, ``I have a full-time job and two kids.'' She said, ``So do I.''

I thought I was too old. When I told her I was 38, she said, ``So am I. What else have you got?''

When the next tryout for ``fresh meat'' came around in July last year there were no excuses left.

Feature: 'Hands on a touchy subject' for The Courier Mail

Written on my placement in Courier-Mail features. I adore arts writing, so I'm thrilled I got to do this piece.

16 May 2011

An innovative show shines light on child neglect, writes Anna Angel

PUPPETRY is seen as child's play for some; a comic device for others. For Halcyon Macleod, writer and director of Africa, a troubling tale of child neglect and joyous idealism in suburban Australia, it is so much more.

Playing Brisbane's Powerhouse from May 18, Africa is neither theatre for young people nor a puppet show, but a whimsical and emotional production for adults, conveying the strength of human will and the power of the imagination.

Interview: Shane Nicholson for Tom Magazine

For TOM Magazine.

Building Bad Machines.

Shane Nicholson is the kind of dad who might carry a crumpled family portrait in his wallet. He’s bursting with cute anecdotes (have you heard the one about the five year-old leading a crowd of 15,000 in an a cappella rendition of ‘Eye of the Tiger’?) and about to embark on a family road-trip when he sits down to chat with Anna Angel. He and his self-professed "travelling circus", which includes wife and Australian country music darling Kasey Chambers, are touring the country following the release of his forth solo record, Bad Machines. He insists it’s going to be "a bit like a holiday", at least in comparison to the six weeks he’s spent away from his brood promoting the album.

"I’m sitting chilling right now, this is as relaxing as it gets," he says, stretching further out on the couch, when the quaint notion of down-time is raised. In fact, he can’t wait to hit the road again. He’ll be co-headlining an extensive regional tour with Chambers, who released Little Bird late last year.

News: 'Real 'service' station keeps paying the Bill' for The Courier-Mail

First day on the job (okay, internship) at The Courier-Mail. Found in the paper on April 5.

Real 'service' station keeps paying the Bill

 Anna Angel
5 April 2011
The Courier-Mail

NUNDAH'S Buckland Auto Service doesn't sell bread or milk, but more than 50 years of old-fashioned service has kept the customers coming back.

Owner Bill Russell and his wife Marilyn have survived offering more than just fuel - they take the time to personally look after each customer - giving something the large service stations no longer provide.

The pair offer full driveway service - filling up motorists' tanks, pumping tyres and greeting each one with a smile and a bit of a chat through the car window.

Mr Russell said it was a simple but rare level of service that keeps their business afloat.

``If you keep them happy they will come back,'' he said.

He said he would be giving the fuel away for free if he tried to compete in the service station price wars.

Instead, as a skilled mechanic, he is able to to provide quality car care and much more than customer fuel vouchers.

``If you've got a little problem with your car, and it's just somebody behind a counter, they're not going to get off their bum to help anyone,'' he said.

He said motoring enthusiasts trust him with their classic vehicles because ``younger mechanics have no idea what to do with them''.

Mr Russell said while many smaller service stations had struggled to compete, the Nundah garage has been in business since 1956 and showed no sign of slowing.

``We make a living, we look after them and they're all happy," he said.

Interview: Joel Edmondson for Rave Magazine

Interview with Joel Edmondson in Issue 959.

JOEL EDMONDSON chats to ANNA ANGEL about his departure from Brisbane, and the record that’s seeing him return.


Joel Edmondson might have been a pivotal player in the formation of one of Brisbane’s best-loved live venues and labels in Lofly Hangar, but he hung up his Brisbane boots last year in favour of Melbournian loafers. Originally performing with his band under the name of Calvara, Edmondson returns this month to launch his debut full-length record, Invisible Steps. This is not, however, a sign of a permanent homecoming.

“You stay somewhere for as long as it suits you and I do want to embed myself in the scene here,” Edmondson says. “It takes time for people to know who you are.”

He says that while Brisbane will always be home, “once you’ve played Ric’s and The Troubadour so many times, it feels like you can only reach so many people.

Read the article here.

Interview: Josh Pyke for Basement Birds, Rave Magazine

Interview with Josh Pyke for The Basement Birds. Issue 953.

ANNA ANGEL develops a bit of a crush on one fourth of the BASEMENT BIRDS project, singer-songwriter JOSH PYKE, and discovers that getting four established musos together in one place is harder than having them collaborate on a record.


Since the days of Crosby, Stills, Nash & Young, the term ‘supergroup’ has come to mean any number of vaguely accomplished musicians coming together in any fashion to whack out a record. The original sense of the word is making a fighting recovery with the introduction of Basement Birds, a harmonious union of four renowned Australian artists. The group comprises Kevin Mitchell (Bob Evans, Jebediah) up-and-coming singer-songwriter, Steve Parkin, Eskimo Joe’s frontman, Kavyen Temperley and singer-songwriter, Josh Pyke. While not the most obvious mix of sounds and personalities, Pyke assures it was a “pretty organic meeting of minds, on the creativity side of things”.